Writing

Poetry

• “Tulipmania,” etc. (Literary Matters)
• “High-Octane Blockbuster Sonnet with an Ending You Won’t Forget” (Bad Lilies)
• “Current Event” (The Arkansas International)
• “Dark Glass” and “Epitaphs for All the Dead” (The Hopkins Review)
• “Have You Ever Been in Love?” and “Half-Curse” (The Sewanee Review)
• “Tamám Shud: or, Secrets in the Sand” (The Yale Review)
• “Where He Is” (32 Poems)
• “The Charm” (The Missouri Review)
• “The Guitar” (Verse Daily)
• “Ode to the Hartford Whalers” (The Nervous Breakdown)
• “Apollo” (Prelude)

Essays

• “‘My Beautiful Never-Nevers’: Yoko Ono’s Poetry Revisited” (Los Angeles Review of Books)
• “Hard Line Politics: On the Myth of Free Verse” (Los Angeles Review of Books)
• “Landing on a Dream” (Poetry Foundation)
  
• “Think Again” (JSTOR Daily)
• “Forms of Love” (Parnassus #35, print)
• “Notes from Auden Land” (Poetry Foundation)
• “Close Viewing” (Poetry Foundation)
• “Contributor’s Marginalia: Door into the Dark” (32 Poems)
• “Immortal Beloved” (Poetry Foundation)
• “Their Living Names” (Poetry Foundation)
• “Elegance in Elegy” (Poetry Foundation)